Every one the guitarist has have own opinions on what the greatest recorded Guitar solos. While there are commonly regarded as best there are lots of others that don’t get as much attention and to find what their readers considered to be the greatest guitar solos of all time.
Here are the Best example on how a simple song can help you to find up some solid technique in using Guitars partial chord, playing with finger-style or pick, and making some interesting chord changes. And it’s even got some very easy walking bass lines. it’s a great work out for your basic rhythm…
Listed with the guitarist who played the solo, the band who released the album. Here are the some list of all 100 songs selected,
As Tears Go By (The Rolling Stones)
Bad Moon Risin’ (Creedence Clearwater Revival)
California Dreaming (Mama’s and the Papa’s)
Day Tripper (The Beatles)
Daydream Believer (The Monkees)
Dock of the Bay (Otis Redding)
Down on the Corner (Creedence Clearwater Revival)
Eight Days a Week (The Beatles)
Fool on the Hill (The Beatles)
Gloria (Them)
Hang on Sloopy (The McCoys)
Hard Day’s Night (The Beatles)
Have You Ever Seen the Rain (CCR)
House of the Rising Sun (The Animals)
In A Gadda Da Vida (Iron Butterfly)
I Saw Her Standing There (The Beatles)
I Should Have Known Better (The Beatles)
I’ve Just Seen a Face (The Beatles)
Louie Louie (The Kingsmen)
Mellow Yellow (Donovan)
Midnight Special (CCR)
Velvet Hammer Burlesque Salon Book Reading and Costume Exhibition
Thursday, March 27th. From 7.00- 9pm FREE!
Michelle Carr and her vision kick started the current era of Neo-Burlesque and caused a furor on stages worldwide. Michelle Carr, Pleasant Gehman and Kristian Hoffman will be reading the unedited text from the brand new book ‘Velvet Hammer Burlesque’ and signing books after wards. On display will be 10 of the most elaborately designed and intricately constructed handmade costumes featured in the Velvet Hammer Burlesque created by the performers. This beautiful coffee table book presents photographs of the group’s voluptuous ensemble of dancers and performers from their savvy on-stage performances to an intimate glimpse behind the curtain. Vivacious women of all shapes and sizes (the Velvet Hammer troupe welcomed organic individuality) radiated an authentic, raw energy in their routines that mesmerized the audience until (almost) the last shred of clothing was stripped away! Burlesque Hall of Fame Donation! 10% of the sales from this event will be donated to the Exotic World Museum, which is the only museum in the world dedicated to preserving the art and artifacts from the golden age of burlesque! www.burlesquehall.com
SPACE IS VERY LIMITED SO PLEASE CALL 1 310 652 0311 TO RESERVE YOUR PLACE AT THIS WONDERFUL EVENT!
Coco De Mer is located on 8618 Melrose Ave. Los Angeles, Ca. 90069
Michelle Carr’s fertile imagination has garnered a career in the arts and entertainment industry for over 17 years. At the very young age of 20, Michelle Carr along with her partner Gary Dent created Jabberjaw, the main location for underground music in Los Angeles between 1989-1997. For many new bands and fans Jabberjaw would become a kind of headquarters for the young open-minded and experimentally inclined. Carr’s studied attention to rare “high” kitsch and eccentric style in decor (which would eventually land her on the cover of the L.A. Weekly’s Design Issue) provided a cozy home away from home favored by many traveling bands. Jabberjaw was a launching pad for revolutionary underground bands as well as a place already famous acts would play out of appreciation for the venue, such as Nirvana, Beck, Sonic Youth, The Beastie Boys, Weezer and Elliott Smith. Free to invent its own program from scratch, Jabberjaw released two critically acclaimed compilation albums, “Good To The Last Drop” and “Pure Sweet Hell” and joined forces with legendary silkscreen rock poster artists Kozik, Coop, Lindsey Kuhn, Pablo and The Pizz, thus contributing to the rebirth of the classic rock poster.
Currently Michelle Carr is compiling an anthology about Jabberjaw, “Los Angeles is Like Nowhere and Everyone is Lost” published by Kill Your Idols featuring stories and essays by Jabberjaw regulars and enthusiasts including Drew Barrymore, Rick Ruben and Iggy Pop. In 1995 during the height of Jabberjaw1s success, Carr brought her personal obsession for Burlesque culture to life, creating multi-media extravaganza; “The Velvet Hammer Burlesque”. This was to be an ambitious feat, not only collaborating with a stellar team of graphic designers, artists, photographers and costume designers but also producing and directing a cast and crew of thirty talented performers of every stripe. Thus, arguably sparking what is now known as the “Neo-burlesque movement”.
Carr’s profound loving attention to detail and aesthetics grabbed the attention of savvy promoters across the country. The Velvet Hammer Burlesque enjoyed a regular engagement at the historical El Rey Theater in Los Angeles and naturally went on to perform sold out theaters in San Francisco, Las Vegas, New Orleans and New York City. Three documentaries were made about the Velvet Hammer Burlesque, “Welcome Sinners3, “The Velvet Hammer Story” and “Striptease”, which was produced by the Franco/German cultural television channel Arte. Gaining the attention of an enthusiastic European audience, Carr moved to Berlin in 2005 and currently performs, lectures and teaches workshops on the art of Burlesque in Madrid, Paris, Zurich and Istanbul.
Over the last twelve years The Velvet Hammer Burlesque has attracted guest appearances by entertainer extraordinaire Ann Magnuson, “Will and Grace” producer and comedian Laura Kightlinger, comedian/actress Mary Lynn Rajskob, performance artist Ron Athey and chanteuse Rebecca Del Rio of ‘Mulholland Drive’ fame.